Google Gives Apple A Run For It's Money

Google has launched it's music service quietly, without much fanfare. The company has partnered up with imeem, Lala.com, Myspace,Pandora and Rhapsody. Apple wasn't invited to the party. Taking a closer look it's evident that Apple's i-Tunes just got whacked with a sucker punch. Google's service is subtle. If you search for an artist and/or song using Google's regular search engine, the appropriate match will now be displayed as number one in the results complete with a player provided by LALA that will play any song once through and then any number of times as 30 seconds samples.

Purchasing the track is made simple especially if you use GOOGLE CHECKOUT. Tracks are, on average, .40 cents cheaper than i-Tunes tracks (.89 cents instead of the $1.29) and are delivered as Mp3's for universal playability.

Coming soon: an i-phone app and wireless streaming. That giant sucking sound? That would be digital music market share being transferred to the Google side of the fence. Great times, these, since this is probably not the end of the story. If .89 cents is the new 1.29, could .49 be far away? When all the world is streaming music only, what's that cost? .10 , .05? Nothing?

It all just might become FREE.

How SMARTMUSIC is Legitimizing Music Education

In music (band) class, we identify misconceptions, make note of them and make sure to re-teach each individual student in need of such "response to intervention". We have always operated this way and always will. Anyone teaching right now knows that "RTI" is one of the current buzz words in Education. Here are a few more:

• Standards-based education
• Differentiated instruction
• Using data to drive instruction
• Performance-based assessment
• 21st century learning
  

Did you know that educational objectives are being met in music education programs using SMARTMUSIC software in the band and choral music curriculum?

HOW SMARTMUSIC HELPS STUDENTS LEARN

SMARTMUSIC is the name given to software now available for use by music teachers and music students (MakeMusic, Inc.). Smartmusic is described as "learning software with the power to transform music learning. Students of all ages and skill levels can play or sing with professional accompaniments, making practice both rewarding and fun." It is quietly revolutionizing the field of music education. When used, it transcends expectations, fixes misconceptions and ensures steady progress by student musicians. And best of all SMARTMUSIC can be discussed using an educational lens.


SMARTMUSIC IS STANDARDS-BASED
Smartmusic allows students to perform music along with accompaniments or to simply play a line of music at a time. Music standards such as reading music, understanding and executing musical instructions (articulation and dynamics, for example) are addressed within the context of each composition, exercise or folk song.


SMARTMUSIC ALLOWS FOR DIFFERENTIATED INSTRUCTION
SMARTMUSIC contains music at a variety of levels from basic to advanced. A teacher can assign specific exercises for each student depending on their specific needs (to address misconceptions and weaknesses). These assignments are delivered digitally (via e-mail and by the student signing into the Smartmusic database).

ASSESSMENT IN SMARTMUSIC IS PERFORMANCE-BASED
Proper music instruction has always been performance-based since the only way a student can demonstrate understanding is to execute the skill(s) on his or her instrument. Music Education was doing performance-based assessment long before the term became an Educational Imperative. By it's very nature, Smartmusic uses a performance-based assessment model.

SMARTMUSIC IS DATA DRIVEN
Using data to drive instruction is, again, something that has always been done in music education. However, Smartmusic kicks it up a notch. Data are collected as recordings of student performances. These data are automatically uploaded to a "gradebook" kept on Smartmusic's servers. This gradebook looks like a regular gradebook with columns of assignments. The recorded performances are accessed by clicking an icon next to each student's name. Additionally a snapshot of what notes/rhythms students played correctly or incorrectly is viewable by the click of a mouse. Correct notes/rhythms are green in color and incorrect notes/rhythms are red. Intangibles such as tone quality, intonation, articulation and interpretation can then be rated by the teacher using the recording. Based on the strehgth (or weakness) of the data, music can be reassigned or new music can be assigned to address particular issues.


SMARTMUSIC IS A 21st CENTURY LEARNING TOOL
SMARTMUSIC makes use of technology in engaging, creative and meaningful ways to ensure high quality, data-based music learning. Importantly, it is a tool that helps music students and music teachers do what they have always endeavored to do-to learn to be competent, independent musicians and to teach music effectively.

Photo credits:
Nationaal Archief / Spaarnestad Photo / J. van Eijk, SFA003001896.
Saxaphoon by Oude School at flickr

NOTE: This blog is in no way affiliated with Smartmusic or Make Music, Inc. The views and opinions expressed in the post are those of educatioanal blogger Andrew Garcia.

Download Music At Jamendo

On Jamendo artists allow anyone to download and share their music. It's free, legal and unlimited.

Spotify: A Music App Too Good to be True?

According to an article over on Intomobile, Spotify is an application that is the best thing to happen to music since Napster, and Spotify is coming to the iPhone.

Basically Spotify you can imagine as an iTunes where everything is free, you simply click a tune and it begins playing, you create a playlist and it is assigned a permanent URL that can be shared.

Here's a video explaining this music app.

http://www.spotify.com/en/#video

Shifting the Focus of Music Education

Moving forward, music teachers need to consider teaching all non-band/chorus students to experience, analyze and to create music-whether they (students) can read music or not. This can be achieved in a variety of ways...from drumming to the use of software to create loop-based compositions. I believe that music education is becoming closely linked to media education and we must begin teaching both!

More at Educational Paradigms.

To Survive, School-Based Music Education Music Shift

Music Education is traditionally thought of in terms of General Music, Band and Chorus. But, except in a few schools, the vast majority of students are not enrolled in Band and Chorus.

So, how should we teach music to everyone else? Should reading music be a priority? Notating music? Are these, perhaps, roadblocks to music creation, involvement and enjoyment?

The REALITY is that, even among people who earn a living as musicians, only a full 10% can actually read music. A popular example is Paul McCartney. Would anyone call Sir Paul musically illiterate? Hardly. He's made quite a few dollars in his day as a performing musician.

The shift now needs to be towards experiencing, analyzing and constructing music. We have the tools, thanks to technology, to "compose" music without having to write music notation. Loop-based music software allows us to achieve this (ie...Sony Acid, Pro Tools, etc..). We music educators can and should provide access to these tools for all students in the future. When we do, we may proudly proclaim that EVERY student is a music student.

One Person Playing Lead and Bass Line for Blue Bossa!

This is pretty inspiring stuff for any musician.  Zack Kim demonstrates his ability to play lead and bass lines for the tune Blue Bossa.